c'est un rideau ? c'est une fenêtre ? c'est une ouverture ? une fermeture sur ton toi intérieur ?

les mots sont magnifiques, l'image est une passerelle... serait-ce vers les arbres que l'on aperçoit ?


[j'avais oublié la première version dis-donc... ]

--
^{Midnight is here, i find our secret garden}

Je m'en rappelle bien de celle-là

J'aime beaucoup les teintes que tu as choisis, elles sont un peu plus chaudes, ça ajoute un peu d'émotion à l'image. Travail magistral sur les mains !!

--
There is no path. Paths are made by walking.
Sugarplum

heehee...'a wandering thought rises from my end'. things can sound very funny when translated

--
Tun

It ends
and I stare
and I stare
at the creases in my fingers
in my hands
in your hair
It ends

and you appear
unbeknownst to me--if ever we were one
like a picture through a window
slowly closing

It ends and I can't feel
my cross has gone
I cannot kneel
the wounds won't come
this is unreal
I know I am nothing

It ends

impossible to grasp
but not to see
My life with you
it end

with me.

I prefer this version. The figure on the right seems much more interesting and mysterious without a face, more sinister. Beautiful piece.

Tiens, tu te décides de laisser les gens apprécier de nouveau des anciennes deviations, j en suis heureuse puisqu elles sont magnifiques. Je suis toujours impressionnée par celle-là. Elle me fait ressentir beaucoup d'émotions, elle est intriguante. Mais, est ce que c est moi ou tu as supprimé ton visage? C est décevant, il était important.

--
"Either kill me or take me as I am, because I'll be damned if I ever change..."
- Sade -

It brings one into a place of contemplation ....

--
_{Foxy Faced Charles should not be underestimated.}

I think this piece shows, if not so much a shift in your technical skill--which is very evident-- but more of a shifti n mentality. I can't speak for you, of course, but the choices to create a darker peice with the white highlights of the hands, I think, says something about a chang ein approach. I love the use of strong whites and blacks, the contrast adds an interesting aspect to the overall image. The hands in the image have tremendously improved--they have real substance,a sense of l ight falling upon them, to them. More so then the original, anyway. It seems you've desaturated the colours of the leftmost image--and that makes it fit, I think, a bit better with what you did with the rest of the image. The composition also seems somewhat fine tuned, but then agian tihs image is presented in a smaller format, which may be throwing my off there.

This is a beautiful, haunting image.

--
I'm fine if I only know what I'm doing a third of the time.

nicely done and used darkness quite effectively
only the trees and the wind could be depiced more detailed and fragile in my taste.
k.